Mostrar mensagens com a etiqueta Synth Rock. Mostrar todas as mensagens
Mostrar mensagens com a etiqueta Synth Rock. Mostrar todas as mensagens

terça-feira, 5 de julho de 2011

Jan Hammer - Escape From Television




Jan Hammer
Escape From Television
1987
Ambient Synthpop Synth Rock
Czech Republic


Tracklist:


1 Crockett's Theme
2 Theresa
3 Colombia
4 Rum Cay
5 The Trial And The Search
6 Tubbs And Valerie
7 Forever Tonight
8 Last Flight
9 Rico's Blues
10 Before The Storm
11 Night Talk
12 Miami Vice Theme
13 Forever Tonight (Extended CD Mix)


     Hammer (born 17 April 1948, in Prague, then Czechoslovakia, today the Czech Republic) is a composer, pianist and keyboardist. He is probably best known for playing keyboards with the Mahavishnu Orchestra in the early 70s, as well as his "Miami Vice Theme" and "Crockett's Theme", from the popular 1980s US television program, Miami Vice.
     Hammer has collaborated with some of the era's most influential jazz and rock musicians such as Jeff Beck, Al Di Meola, Mick Jagger, Carlos Santana, Stanley Clarke, Neal Schon, Steve Lukather, and Elvin Jones among many others. He has composed and produced at least 14 original motion picture soundtracks, the music for 90 episodes of Miami Vice and 20 episodes of the popular British television series Chancer.
     His compositions have won him several Grammy awards.

     Jan Hammer's mother was a well-known Czech singer named Vlasta Průchová, and his father was a doctor who worked his way through school playing vibes and bass. Hammer began playing the piano at the age of four and his formal instruction started two years later. He aspired to follow his father into medicine until a family friend convinced him to develop his musical talents instead. Hammer formed a jazz trio in high school, performing and recording throughout Eastern Europe at the age of fourteen. Upon entrance to the Prague Academy of Musical Arts, he completed many compulsory classes including harmony, counterpoint, music history, and classical composition.
     When the Soviet Union invaded Czechoslovakia in 1968, Hammer's studies at the Academy were cut short, and he moved to the United States and resolved to become a citizen after receiving a scholarship at Berkley College of Music in Boston.
     Upon completion of his studies, Hammer spent a year touring with Sarah Vaughan, recorded with Elvin Jones and Jeremy Steig, then moved to Lower Manhattan and joined the original lineup of the Mahavishnu Orchestra with guitarist John McLaughlin, violinist Jerry Goodman, bassist Rick Laird, and drummer Billy Cobham in 1971. A successful jazz fusion band, they performed some 530 shows before their farewell concert on December 30, 1973. Hammer was one of the early pioneers who played the Mini Moog synthesizer in a touring group.

     The Jan Hammer Group was formed in 1976 and supported The First Seven Days on tour, receiving good reviews from both jazz and rock critics. The group turned out three LPs the following year: their own Oh, Yeah? and, with Jeff Beck, the RIAA platinum Wired (with Jan's "Blue Wind"), and Jeff Beck with the Jan Hammer Group Live, a chronicle of their 100-show tour together, certified gold. One final album by the group followed in 1977, Melodies.
     Hammer composed music for Czech fairy-tale Šíleně smutná princezna (The Incredibly Sad Princess).

     His greatest challenge came in the fall of 1984, when the producers of Miami Vice enlisted him to commence the rigorous weekly schedule of scoring the series.
     The popular success of his music on the series was evident after just one season when, on November 2, 1985, the Miami Vice Soundtrack hit number one on the Billboard Top Pop album charts. The album achieved quadruple-platinum status with U.S. sales of more than four million copies.
     At the Grammy awards in February 1986, "Miami Vice Theme" earned Hammer two awards; one for "Best Pop Instrumental Performance" and one for "Best Instrumental Composition". He also earned Emmy award nominations in 1985 and 1986, for "Outstanding Achievement in Musical Composition". At the end of 1986, Hammer won Keyboard Magazine's poll as "Best Studio Synthesist" for a second consecutive year. He had previously won the "Best Lead Synthesist" honor for seven years, at which time he was inducted into the Keyboard Hall of Fame.




segunda-feira, 4 de julho de 2011

Beargarden - All That Fall




Beargarden
All That Fall
1986
New Wave Synth Rock
Australia


Tracklist:


01. A Minute In Black & White
02. The Tell Tale Heart
03. A Year In The Shade
04. I Write The News
05. Drink Drink Drink
06. A Seaside Song
07. All That Fall
08. She's Crying
09. Bright Penny
10. Drink Drink Drink (Extended)
11. Instrumental No. 1 (Bonus Track)
12. Lounge (Bonus Track)


     Beargarden was a new wave band from Melbourne, Australia which, though well regarded critically, failed to achieve widespread success. It evolved directly from the post-punk group 'The Ears' which disbanded in 1981 and reformed under the new name with Ross Farnell replacing Cathy McQuade on bass. The other members were Sam Sejavka ( vocals) Mick Lewis (guitar), Carl Manuell (drums) and Gus Till (keyboards). Lewis was replaced later that year by Shane Andalou.

     All That Fall is the debut album by Australian New Wave group Beargarden. It was released in 1986 on Chase Records.
     Beargarden were selected by Virgin Records Australia as their first Australian signing. Under their new label the band released a single, "The Finer Things", which was produced by Ross Cockle at AAV studios in South Melbourne and released in October 1984 with a film clip directed by John Hillcoat and featuring a young Noah Taylor. The single however made little impact on the charts.
     In July 1985, Beargarden began recording their debut album, All That Fall, at Albert Studios in Sydney with producers Bruce Brown and Russel Dunlop. A second single, "I Write the News", resulted from these sessions. The B-side, "Sixty Perfect Windows", had been recorded previously at Richmond Recorders, Melbourne, and was produced by Michael Hutchence and Andrew Farris (Hutchence provides backing vocals for the track). A film clip for "I Write The News" was directed by Paul Goldman (Australian Rules, The Night They Called It a Day, The Ben Cousins Story).
     All That Fall took a great many months to complete and during this time the band's inner turmoil again boiled to the surface. Bassist Ross Farnell was replaced by Simon Polinski, and Shaun Andersen (brother of guitarist Shane Andalou) was recruited as second guitar. These changes exacerbated the band's pre-existing instability and, after the release of a third single "Drink Drink Drink"', it folded. Paul Goldman directed a clip for "Drink Drink Drink" but, given the suggestive nature of the song title and the mistaking of burning scarecrows for burning crucifixes by the producers of Countdown, it failed to air and the single made little impact.
     Beargarden's disintegration was accompanied by acrimony and incidents of poor and/or outrageous behaviour on stage. Virgin quickly divested themselves of the product and All That Fall was ultimately released to little fanfare on Chase Records, accompanied by a fourth and final single "A Seaside Song".
     Originally appearing on vinyl, it never received an official CD release, though in 2010 became available for download, initially through Bandcamp.





quarta-feira, 22 de junho de 2011

Zee - Identity




Zee
Identity
1984
Synth Rock
England


Tracklist:



1. Confusion
2. Voices
3. Private Person
4. Strange Rhythm
5. Cuts Like A Diamond
6. By Touching
7. How Do You Do It?
8. Seems We Were Dreaming


     Identity is the only album by Zee, a short-lived partnership consisting of Pink Floyd keyboardist Richard Wright and Dave Harris of New Romantic outfit Fashion, released in 1984. Wright later stated that he felt Identity was an "experimental mistake" that should never have been released. The album was written and produced by Wright and Harris and all the lyrics were penned by Harris. The album makes heavy use of the Fairlight CMI, a musical synthesizer popularised in the 1980s. This creates a very electronic sound that persists through every track.