Mostrar mensagens com a etiqueta Experimental. Mostrar todas as mensagens
Mostrar mensagens com a etiqueta Experimental. Mostrar todas as mensagens

quinta-feira, 28 de julho de 2011

David Byrne & Brian Eno - My Life In The Bush Of Ghosts




David Byrne & Brian Eno
My Life In The Bush Of Ghosts
1981
Experimental Art Rock
Scotland / England


Tracklist:


     Side one
"America Is Waiting"
"Mea Culpa"
"Regiment"
"Help Me Somebody"
"The Jezebel Spirit"
     Side two
"Qu'ran"
"Moonlight in Glory"
"The Carrier"
"A Secret Life"
"Come with Us"
"Mountain of Needles"


     My Life in the Bush of Ghosts is a 1981 album by Brian Eno and David Byrne, titled after Amos Tutuola's 1954 novel of the same name. The album was re-released in expanded form in 2006.
     Receiving strong reviews upon its release, My Life is now regarded as a high point in the discographies of Eno and Byrne. In a 1985 interview, singer Kate Bush remarked that the album "left a very big mark on popular music," while critic John Bush describes it as a "pioneering work for countless styles connected to electronics, ambience, and Third World music." The extensive use of sampling on My Life is widely considered ground-breaking—it was one of the first albums to do so—but its actual influence on the sample-based music genres that later emerged continues to be debated.
     The album was recorded entirely with analogue technology, before the advent of digital sequencing and MIDI. The sampled voices were synchronized with the instrumental tracks via trial and error, a practice that was often frustrating, but which also produced several happy accidents.
     Also according to Byrne's 2006 notes, neither he nor Eno had read Tutuola's novel before the album was recorded. Both were familiar with Tutuola's earlier The Palm-Wine Drinkard (1952), but his My Life in the Bush of Ghosts was not easily obtained in the U.S. when the material was recorded. Even without reading the book, Eno and Byrne thought the title reflected their interest in African music, and also had an evocative, vaguely sinister quality that also referenced the voices sampled for the album: the vocalists were recorded sometimes several decades before being re-appropriated by Eno and Byrne, and the voices often seemed to take on unanticipated qualities when placed in the new context.

     Personnel

David Byrne and Brian Eno – guitars, bass guitars, synthesizers, drums, percussion, found objects
John Cooksey – drums on "Help Me Somebody" and "Qu'ran"
Chris Frantz – drums on "Regiment"
Busta Jones – bass guitar on "Regiment"
Dennis Keeley – bodhran on "Mea Culpa"
Bill Laswell – bass guitar on "America Is Waiting"
Mingo Lewis – bata, sticks on "The Jezebel Spirit" and "The Carrier"
Prairie Prince – can, bass drum on "The Jezebel Spirit" and "The Carrier"
Jose Rossy – congas, agong-gong on "Moonlight in Glory"
Steve Scales – congas, metals on "Help Me Somebody"
David van Tieghem – drums, percussion on "America Is Waiting" and "Regiment"
Tim Wright – click bass on "America Is Waiting"
Rooks on "Help Me Somebody" courtesy of April Potts, recorded at Eglingham Hall



quarta-feira, 20 de julho de 2011

Irmin Schmidt & Bruno Spoerri - Toy Planet





Irmin Schmidt & Bruno Spoerri
Toy Planet
1981
Electronic Experimental Ambient Jazz
Germany / Switzerland


Tracklist:


A1 The Seven-Game (Ring Of Smile - Reversed) (7:01)
A2 Toy Planet (9:21)
A3 Two Dolphins Go Dancing (3:26)
B1 Yom Tov (3:24)
B2 Springlight Rite (4:41)
B3 Rapido De Noir (Last Train To Eternity) (6:55)
B4 When The Waters Came To Life (4:46)



     Irmin Schmidt (born 29 May 1937 in Berlin) is a German keyboard player and composer, probably best known as a founding member of the band Can.

     Bruno Alexander Spoerri (born 16 august 1935) is a Swiss jazz and electronics musician.
Born in Zurich, he studied applied psychology in Basel and Zurich. He played the saxophone as a student, and toured with the Modern Jazz Group Freiburg in Germany and Switzerland. In the early 1960s, he worked as a psychologist and career counsellor. He experimented with electrified saxophone and published the album Voice of Taurus in 1978.





quarta-feira, 13 de julho de 2011

Doris Norton - Personal Computer




Doris Norton
Personal Computer
1984
Experimental, Minimal Synth
Italy


Tracklist:


1. Personal Computer
2. Norton Apple Software
3. Binary Love
4. Parallel Interface
5. Caution Radiation Norton
6. Personal Computer
7. A.D.A. Converter


     Doris Norton (pioneer in the early electro / computer music) began her musical carrer playing avant-garde and progressive music using synthesizers such as Roland System 700 and Minimoog. In 1980 she recorded her first solo album entitled "Under Ground". Sponsored by Apple computer and the Roland Corporation music instruments, she was more involved in experimental electro computerized music and recorded the albums "Parapsycho" (1981), "Raptus" (1981), "Norton Computer For Peace" (1983), "Personal Computer" (1984), "Artificial Intellingence" (1985). In 1986 she became an official consultant for IBM Computer Music and recorded two compact discs for IBM entitled "Automatic Feeling" and "The Double Side of Science" (both in new age /computer sound and psychoactive music area). In 1990 Doris Norton joined the independent label Sob: contaminated by her young son Rexanthony, she was attracted to the '90 rising techno music rhythms and composed "Techno Shock Volume One" and "Techno Shock Volume two" both recorded in studio 'a quattro mani' with her 13 years old son. In the early 1993 she composed "Techno Shock Volume Three", considered by the critics as "a good revolutionary example of techno metal music". In September 1993 Doris Norton started a new techno/trance project called "Next Objective" (the first of three in the hypnotic series) and also composed most of the songs then appeared on the Rexanthony's "Techno Shock Volume Four" and songs for "Cocorico' Two" (1994), "Cocorico' Three" and "Chagrin et Plaisir U Fisty Fussy" (1995) . Her albums "Next Objective Two", "Next Objective Three" and "Document One" have been released between 1994 and 1995 along with various singles. Since ever involved in visual arts (under several pseudonyms), in the 2004 she officially re-started walking 'the video path' and has been the "Magic Ritual" (published by Warner, 2005) and "Perpetual Adoration" (published by Rai Trade, 2006) director. In 2006 she also arranged the album "Switch on Dark" (Warner, Rai Trade) distributed in the Usa by Century Media.





quinta-feira, 30 de junho de 2011

Sleep Chamber - Musik For Mannequins (Cassette)




Sleep Chamber
Musik For Mannequins (Cassette)
1984
Experimental EBM
USA

Tracklist:


A1 Victmm
A2 Jungle Disease
A3 The Lantern
A4 A Distant Cry
A5 Conversations In Between Walls
B1 Left Side Of The Tomb
B2 Twenty Three
B3 The Last Fantasy
B4 Rite To Death


     Sleep Chamber is an American Industrial band fronted by John Zewizz. The band is known for using S&M, Bondage and Magick imagery on their art work, during their performances, and within their lyrics. Formed in 1981 by high school friends John Zewizz, Eugine Difrancisco, and Phil Brosseau. Over the years the Sleep Chamber line up has changed many times with John Zewizz being the sole permanent member. Previous members of Sleep Chamber have included, Thomas Thorn, Michael Moynihan, Jonathan Briley and Elaine Walker. Since the beginning John Zewizz has stated that the constant line up change is because Sleep Chamber is not a "band", but rather a "concept".
     From 1982 to 1999 Sleep Chamber put out a considerable volume of music (releasing over 70 recordings, and participating in over 35 various artists releases). After a extended absence, Sleep Chamber returned in 2008 with a new line up, a slew of new releases, and a new name, SLEEPCHAMBER.





quinta-feira, 23 de junho de 2011

Shock Headed Peters - Not Born Beautiful




Shock Headed Peters
Not Born Beautiful
1985
Experimental New Wave
England


Tracklist:


01 Say No To Funk
02 Ideal
03 Chalet D'Amour
04 Dog Eat Dog Eat Dog
05 Bad Samaritans
06 Parabola
07 Miserable Worm
08 Mon Repos
09 Wheel In the Bait
10 The Kissing of Gods
     bonus tracks:
11 O.O.M.S.
12 Red Sea Burning Black



     Shock Headed Peters was formed by Karl Blake (after the split of Lemon Kittens and the release of a solo album 'Prehensile Tales'), Lord Ashley Wales and David Cadbury Knight in 1982. They were joined by Mark Rowlatt (Metabolism) and Clive Tigger Glover to make the full first line-up of the band who recorded three EPs , Bloodbrother Be (£4000 Love Letter), The Kissing of Gods and Life Extinguisher and an album Not Born Beautiful. Knight had been in The Fast Set and, with Wales, Five or Six. Before a note of original music was recorded Blake insisted that the band rehearse for a month in Wales basement, playing only covers - in order to create as tight as possible a unit.
     A very diverse album, not really in common with the post-industrial scene showing Karl Blake's fascination of 70's hardrock but taking it to a whole new level.





Michael Bundt - Electri City




Michael Bundt
Electri City
1980
Experimental Space Disco
Germany


Tracklist:


A1   Full Steam Ahead (5:19)
A2   Lunatic Love Song (4:51)
A3   Terrania (Electri City) (4:00)
A4   Android's Wedding (6:20)
B1   The March Of The Martians (9:00)
B2   Metagony (3:23)
B3   The Tower Of Osc. (7:22)


     After spending some time with Peter Seiler in a duo called "Sirius", Michael Bundt (ex-Medusa) went on to record several solo electronic works that resembled both the space majesty of early Jean Michel Jarre and the quirky krautrockish kinetics of Moebius & Plank. The first album is known to feature old friend Peter Seiler.
     Living in Weinheim in the early 70s Germany, Michael Bundt used to play the bass with several bands as Nine Days Wonder on We Never Lost Control and Only the Dancers, Wintergarden on Wintergarden III, Medusa on a CBS single, and German Band called Nerve. In the mid 70s he decided to play solo and released 3 LPs, Just Landed Cosmic Kid, Neon, and Electri City, whereof "The Brain of Oskar Panizza" is still used in many club mixes (Our friend Pilooski made a terrific edit of this track!)
     Today Michael works as composer and producer of several bands and albums as Tritonus on Between the Universes. He lives in Mannheim, Germany and produces a jazz singer named Silke Hauck.





terça-feira, 21 de junho de 2011

Android:A 21st Century Band - In Tune With Tomorrow




Android : A 21st Century Band
In Tune With Tomorrow
1982
Experimental Space Disco
USA


Tracklist:


A1 Luminary
A2 Images
A3 Sometimes My Love is Like a Shooting Star
A4 Standing in the Line of Fire
A5 ThemeSong
B1 Ahead of Your Time
B2 Listen to the Sky
B3 Perpetual motion
B4 exerpt from Tentative Conclusion
B5 ElectroSynphonia


Composed By, Synthesizer, Percussion [Electronic], Programmed By, Vocoder, Lead Vocals [Human Voice] – John Brock
Engineer [Technical] – Peter J. Rojas
Mastered By, Recorded By – David Cheppa
Other [Productions Coordinator] – Jim Johnson, Tom Gorham
Performer – Android A 21st Century Band
Photography [Cover Photos & Android Photos By] – Paul D. Guthrie
Producer, Engineer – Android
Synthesizer, Percussion [Electronic] – Chris Levy, Gary Gotcher





sexta-feira, 10 de junho de 2011

Roboterwerke - Futurist




Roboterwerke
Futurist
1981
Minimal Synth Experimental Synthpop
Germany


Tracklist:


A1 Bitte Beeilen
A2 No Bees, No Honey
A3 High On Tech
A4 We Never Come Down
B1 The Lion Sleeps Tonight
B2 Pinhead Pinball
B3 Concrete Jungle
B4 Rockbots



     Robotwerke, aka Dieter Kolb and Franz Aumüller, were one of the first groups to experiment with electronic music in the mid-60s, inventing some of the first self-made drum machines. Look HERE Their fans include such luminaries as Herbie Hancock, Afrika Bambaataa, Sven Vath and Kraftwerk. Since the 60's they had allowed themselves to become more and more inspired by the Caribbean sounds of steeldrum and Soca, and developed their own brand of Soca influenced funky disco electro.





Roland Bocquet - Robot Rose-Claviers Synthétiseur



Roland Bocquet
Robot Rose-Claviers Synthétiseur
1982
Space Disco Experimental
France


Tracklist:


A1 Flash
A2 Scoop
A3 Le Flipper Amoureux, Sans Voix
A4 Paradia
A5 Amour 5/5
A6 Robot Rose
B1 Harmonic Terminal
B2 La Marche Des Canards
B3 Epsilove
B4 Le Répondeur Automatik
B5 Digital Vision
B6 Trilogue

     After the group CATHARSIS broke up, its former keyboardist threw himself into the adventure of solo production, managing to avoid the restrictions and pitfalls of the "solo keyboards album" -which is often a pretext for an insipid display of the keyboardist's talent- by inviting excellent musicians to accompany him and by giving free expression to his fabulous talent as an original composer and gifted arranger. This album combines great electronic/experimental /space elements and sometimes touching the pseudo disco sound.An album which is an invitation to travel and to dream.





terça-feira, 24 de maio de 2011

Recoil - Hydrology plus 1+2





Recoil
Hydrology plus 1+2
1988
England

Tracklist:



Grain
Stone
The Sermon
Plus
1 + 2



     Recoil is a musical project created by former Depeche Mode member Alan Wilder. Essentially a solo venture, Recoil began whilst Wilder was still in Depeche Mode as an outlet for his experimental, less pop-oriented compositions. Once he announced his departure from the group in 1995, Recoil was transformed from a small side-project into Wilder's primary musical enterprise.
     In January 1988, during the middle of Depeche Mode's hugely successful "Tour for the Masses", Mute released the second Recoil album — Hydrology. This followed in a similar vein to the previous Recoil record, consisting of entirely instrumental, synthesized landscapes. Unfortunately, due to Wilder's busy touring schedule, he was unable to effectively promote the record.
     On 17 February 2010, Alan reunited briefly with former band Depeche Mode live on-stage at the Royal Albert Hall for one song, accompanying Martin Gore for a rendition of the Depeche Mode standard, "Somebody". This was the first time in nearly 16 years that Alan performed with Depeche Mode, and roughly 15 years since he left the band. The band was playing a charity show, benefiting the Teenage Cancer Trust. According to Alan, "Dave contacted me a few weeks back and asked if I'd be willing to join them on-stage. He assured me that everyone in the band was into the idea. I was very happy to accept, especially as it was all in a good cause and we were long overdue some kind of reunion of this sort. It was great to see everyone again and catch up a bit, and it was also the first time I have actually 'seen' Depeche Mode perform!"